Austin powers: international man of mystery

Austin powers: international man of mystery
EXT. LAS VEGAS (STOCK FOOTAGE) - NIGHT
GRAPHIC: 1967 - SOMEWHERE IN NEVADA
It is set against the obvious skyline of Las Vegas

INT. DR. EVIL'S PRIVATE QUARTERS - DAY
The lair is 1960's high-tech. We see a huge oversized
Conference table with six scary-looking EVIL ASSOCIATES
Including a Latin American REVOLUTIONARY in a field jacket
And turtleneck, TWIN NORDIC DOCTORS, and a METER MAID
ANGLE ON: A RING WITH DR. EVIL'S INSIGNIA ON IT. THE RINGED HAND IS STROKING A WHITE FLUFFY CAT
DR. EVIL
(face always unseen)
Gentlemen, are we all here? Good
As you know, my plot to high-jack
Nuclear weapons and hold the world
Hostage has failed. Again. This
Organization will not tolerate
Failure
He presses a button. The Revolutionary, the twin Nordic
Doctors, and the meter maid's chairs tip
Back and fall into a pit. Their chairs return empty and
Smoking

DR. EVIL
Mustafa...
ANGLE ON: MUSTAFA, an Arab with a red Fez
DR. EVIL
Frau Farbissina...
ANGLE ON FRAU FARBISSINA in a severe Salvation Army uniform
DR. EVIL
I spared your lives because I need
You to help me rid the world of the
Only man who can stop me now. We
Must go to London. I've set a trap
For Austin Powers!
EXT. CARNABY STREET - DAY
MUSIC: Soul Bossanova by QUINCY JONES
We start on a pair of BEATLE BOOTS and peg-top crushed velvet
Pants walking down the street in rhythm, à la Saturday Night
Fever
We pan up to reveal AUSTIN POWERS, International Man of
Mystery. He's a swinger, with
Medium-length Mod hair and sideburns and he wears National
Health Services glasses
Austin walks along Carnaby Street taking photographs. It is
That perpetual bright sunny day you see in Sixties movies

Austin, bursting with life, gives a two-handed handshake to
A MOD FREAK, who's just gotten off a red double-decker bus
Austin salutes a strolling BOBBY, then comes across TWO
BEAUTIFUL MOD GIRLS who are excited to see him. They all
Start to twist to the music, including the Bobby
FREEZE FRAME - TECHNICOLOR BLUE TINT - TITLE CARD
(PRODUCTION NOTE: ALL TITLE CARDS WILL BE DONE IN TECHNICOLOR FREEZE FRAMES À LA SWEET CHARITY.)
In the middle of the street, THREE MODELS wait impatiently
To be photographed in a makeshift photo shoot area
One wears a short-skirted Stewardess outfit. One wears a
Metallic silver pantsuit with matching cowl. The other wears
A see-through Mary Quant dress
AUSTIN
(taking photos)
Alright, luv! Love it! Turn...pout
For me baby. Smashing!

We see that AUSTIN HAS VERY BAD ENGLISH TEETH. The model in
The stewardess outfit foes on all fours
AUSTIN
Crazy baby. Give me some shoulder
Yes! Yes! Yes!
(beat)
No. No
Show me love. Yes! And...done. Here you go, luv. I'm
Spent
Austin throws the camera in the air behind him. An ASSISTANT
Scrambles and catches it before it hits the ground
AUSTIN
Get these off to Fab Magazine right
Away
SUPERMODEL 1
Austin, you've really outdone yourself
This time
AUSTIN
Thanks, baby
SUPERMODEL 2
(suggestively)
We could have another photo session
Back at my flat
AUSTIN
(coyly)
Oh, behave!
SUPERMODEL 3
Austin, I love you!
AUSTIN
So many women, so little time
A gaggle of MOD GIRLS come towards the shoot site. They
Recognize Austin and SCREAM hysterically

MOD GIRL 1
It's Austin Powers!
Austin runs away. The mob chases after him a la Hard Day's
Night
EXT. CARNABY STREET
Two BAD GUYS attack Austin. He JUDO CHOPS them
AUSTIN
Judo chop! Judo chop!
The mob of girls catches up to Austin and he runs away
EXT. PHONE BOOTH
Austin's in a phone booth with his back turned. The mob
Runs by. He steps out, disguised only by a beard
EXT. GUARD STATION - LONDON - DAY
Austin is jiving down the street and comes across a stoned-
Face red-coated BUCKINGHAM PALAM GUARD standing at attention
Just outside his guard box
Austin mugs for the guard, trying to get him to crack up
But to no avail. Finally, he pulls a big sixties FLOWER
From behind the guard's head and presents it to him. They
Both crack up

EXT. PHOTO BOOTH
The girls run by a Sixties-era photo booth with somebody
Inside. Austin steps out
ANGLE ON THE FILM STRIP
Panels 1-3 show Austin with various exotic MODELS. The fourth
Panel shows Austin with the QUEEN
EXT. CARNABY STREET
Austin spots a VERY PREGNANT HIPPY GIRL with a placard that
Says "PROTEST!" in a funky font
AUSTIN
You might want to protest a bit louder
Next time, luv
The both laugh
2L FULL SCREEN INSERT - AUSTIN'S PASSPORT
The passport opens. We see Austin's dour photo. Then he
Gives an insane grin, showing his bad teeth. The page flips
And we see visa stamps from all the exotic places he's been
EXT. CARNABY STREET - DAY
Austin flips a coin into a BLIND MAN's cup. The blind man
Obviously sighted, moves the cup to catch the coin. Austin
Wags his finger in a "oh, you" fashion, and then proceeds to
Knee him the balls

EXT. CARNABY STREET - DAY
Austin is being chased around the corner by a GAGGLE OF
SCHOOLGIRLS
After a moment, Austin returns from around the corner with a
Baton, followed by a MARCHING BAND
The schoolgirls pick up his trail again and he begins to
Run
A 1967 Jaguar XKE convertible, which is decorated with a
Large Union Jack, pulls beside Austin
He jumps over the door into the moving convertible, racing
Off just ahead of the crowd
EXT./INT. JAGUAR - STREETS OF LONDON - DAY
The driver of the Jag is Austin's associate, MRS. KENSINGTON
A beautiful woman in her thirties
They drive against obvious REAR PROJECTION of 1960's London
AUSTIN
Hello, Mrs. Kensington
MRS. KENSINGTON
Hello, Austin Just then, a FLASHING
RED LIGHT goes off and we hear a
Distinctive PHONE RING

MRS. KENSINGTON
That'll be Basil Exposition, Chief
Of British Intelligence
The glove compartment revolves to reveal a picture phone
ANGLE ON: PICTURE PHONE SCREEN. We see BASIL EXPOSITION a
Distinguished older man. A desk plate reads: "Basil
Exposition, Chief of British Intelligence."
BASIL EXPOSITION
(on picture phone)
Hello, Austin. This is Basil
Exposition, Chief of British
Intelligence
You're Austin Powers, International Man of Mystery, and you're
With Agent
Mrs. Kensington. The year is 1967, and you're talking on a
Picture phone
AUSTIN
We know all that, Exposition
BASIL EXPOSITION
I just wanted to be extremely clear
So that everyone knows what's going
On at any given time. We've just
Received word that Dr. Evil, the
Ultimate square, is planning to take
Over the world

AUSTIN
Dr. Evil? I thought I put him in
Jail for good
BASIL EXPOSITION
I'm afraid not. Earlier this week
Dr. Evil escaped from Zedel Edel
Prison in Baaden Baaden and now he's
Planning a trap for you tonight at
The Electric Psychedelic Pussycat
Swinger's Club in Picadilly Circus
Here in swinging London
A panel revolves to reveal a map of London with lights showing
Austin's position and the location of the club
AUSTIN
Just where you'd never think to look
For him. We'll be there
BASIL EXPOSITION
Good luck, Austin
AUSTIN
Thank you
BASIL EXPOSITION
Oh, and Austin...
AUSTIN
Yes?
BASIL EXPOSITION
(pause)
Be careful.
AUSTIN
Thank you
(to Mrs. Kensington)
Let's go, baby!

EXT. STOCK FOTTAGE - PICADILLY CIRCUS - NIGHT
On top of one building is a three-story high BOB'S BIG BOY figure
EXT. ELECTRIC PSYCHEDELIC PUSSYCAT SWINGER'S CLUB - NIGHT
The Jaguar pulls up in front of the swinging nightclub
Mrs. Kensington steps out of the car, dressed in a tight
Leather fightsuit. She looks fabulous
INT. ELECTRIC PSYCHEDELIC PUSSYCAT SWINGER'S CLUB
It's a swinging club. FREAKS abound. In one corner, there
Is a PRESS CONFERENCE in progress
MICK JAGGER
Hey Austin Powers, it's me, Mick
Jagger
AUSTIN
Hey, Mick!
MICK JAGGER
Are you more satisfied now sexually
Austin?
AUSTIN
Well, you can't always get what you
Want
MICK JAGGER
(thinking)
"You can't always get what you want!"
That's a great title for a song!
I'm

Gonna write that, and it'll be a big hit
AUSTIN
Good on ya, man
MICK JAGGER
Groovy!
FULL SCREEN INSERT
A vinyl 45 of "You Can't Always Get What You Want."
9 FULL SCREEN INSERT - BILLBOARD CHART
"You Can't Always Get What You Want" at Number One
INT. ELECTRIC PSYCHEDELIC PUSSYCAT SWINGER'S CLUB
In one corner ANDY WARHOL sits in front of his multi-colored
Elvis (or equivalent). He body paints a butterfly on the
Thigh of a MOD GIRL wearing a metallic miniskirt outfit
ANDY WARHOL
Austin Powers? Hi, I'm Andy Warhol
AUSTIN
Hey, how are you?
ANDY WARHOL
Hungry
AUSTIN
Here, have this can of Campbell's
Tomato Soup
Austin hands Andy a can of soup
ANDY WARHOL
I'm going to paint this can of soup
And become famous and not give you
Any credit for it

AUSTIN
If you can become famous, everyone
Will have their fifteen minutes of
Fame, man
ANDY WARHOL
"Fifteen minutes of fame?" I'm going
To use that quote and not give you
Any credit for that, either
AUSTIN
Smashing!
FULL SCREEN INSERT
Andy Warhol's famous Soup Can painting
INT. ELECTRIC PSYCHEDELIC PUSSYCAT SWINGER'S CLUB
HER MAJESTY, THE QUEEN is giving Austin a Victoria's Cross
Like the Lyndon Johnson scene in Forrest Gump. Behind them
Are two COLDSTREAM GUARDS and the DUKE OF EDINBURGH
QUEEN
Austin Powers, Britain owes you a
Debt of gratitude
Austin gives a cheeky look to Mrs. Kensington
QUEEN
I understand you were wounded. Where
Were you hit?
AUSTIN
In the but-tocks
QUEEN
That must be a sight. I'd kind of
Like to see that

Austin turns around, drops his pants, and shows his wounded
Bum (matching Gump's) to the queen
The queen walks away
QUEEN
(laughing)
Nice buttocks
In the line-up we also see FOREST GUMP. He has to pee very
Badly
MRS. KENSINGTON
We've got to find Dr. Evil!
AUSTIN
Wait, I've got an idea
He PUNCHES a PRETTY MOD GIRL in the face, knocking her out
Cold
EVERYONE
Ohhh!
MRS. KENSINGTON
Austin, why in God's name did you
Strike that woman?
AUSTIN
That ain't no woman! It's a man
Man. It's one of Dr. Evil's
Assassins
Austin pulls off the mod girl's wig. She is a MALE ASSASSIN
The assassin comes to and leaps to his feet
Mrs. Kensington knocks his feet from under him. The assassin
Hits the ground and pulls out a dagger. Mrs. Kensington
Kicks the knife out of his hand and Austin gets him in a
Head-lock from behind

AUSTIN
Where's Doctor Evil?
ANGLE ON: A FINGER WITH DR. EVIL'S INSIGNIA ON IT. THE
FINGER PULLS THE TRIGGER OF A SPEAR
Gun. The assassin falls forward. A spear protrudes from
His back. Austin sees Dr. Evil as he runs through a door
They give chase
INT. CLUB - BACK ROOM
They enter. Dr. Evil climbs into an egg chair
AUSTIN
I've got you again, Dr. Evil!
The chair fills with a WHITE MIST
DR. EVIL
(unseen, through mist)
Not this time. Come, Mr
Bigglesworth!
(calling out)
See you in the future, Mr. Powers!
Before the doors close, the white CAT jumps in the egg chair
A sign on the egg reads "CRYOGENIC
FREEZING BEGINNING."
MRS. KENSINGTON
My God! He's freezing himself
Austin begins FIRING at the egg chair. The ceiling opens up
And the egg rises through the opening. Everything begins to
RUMBLE. Rocket exhaust pours out of the ceiling

EXT. ROOF - NIGHT
The Bob's Big Boy rocket begins to LIFT OFF
EXT. CLUB - SIDEWALK - NIGHT
PEOPLE outside the club react to the rocket
EXT. EARTH FROM SPACE
The Bob's Big Boy rocket leaves the atmosphere. Mr
Bigglesworth is pressed to the window like one of those
Stuffed Garfields
DR. EVIL (V.O.)
(shivering)
I'll be back, Mr. Powers, when free
Love is dead, and greed and avarice
Once again rule the world
EXT. NORAD - COLORADO SPRINGS, COLORADO
GRAPHIC: 1997 - NORAD - COLORADO SPRINGS THIS SCENE IS SHOT
IN THE MULTIPLE SPLIT SCREEN STYLE, LIKE THE THOMAS CROWN
AFFAIR:
16 FULL SCREEN - INT. NORAD TRACKING ROOM
A BLIP appears on the radar screen
RADAR OPERATOR
(on phone)
Commander Gilmour?

17 SPLIT SCREEN 2 - INT. COMMANDER GILMOUR'S OFFICE
COMMANDER GILMOUR, a distinguished man in his fifties
RADAR OPERATOR
(on phone)
Commander, this is Slater in SoWest
Com Three. We have a potential bogey
With erratic vectoring and an
Unorthodox entry angle
COMMANDER GILMOUR
(on phone)
Is it one of ours?
RADAR OPERATOR
No. Log Com Bird Twelve says its
Metalurg recon analysis is a standard
Alloy, not stealthy, not carbon-
Composite
(pause)
It does have an odd shape, sir
COMMANDER GILMOUR
What are you saying, son?
RADAR OPERATOR
It appears to be in the shape of
Bob's Big Boy, sir
18 SCREEN 3 - THE BOB'S BIG BOY ROCKET
The rocket is dirty and battered from thirty years in space
COMMANDER GILMOUR
Oh my God, he's back

DRAMATIC STING
RADAR OPERATOR
In many ways, Bob's Big Boy never
Left, sir. He's always offered the
Same high quality meals at competitive
Prices
COMMANDER GILMOUR
Shut up
RADAR OPERATOR
Should we scramble TacHQ for an
Intercept?
COMMANDER GILMOUR
What's its current position?
19 SCREEN 4 - A RADAR MAP OF NEVADA
On the radar screen it says "NEVADA."
RADAR SCREEN
It was over Nevada, but...oh my God!
It's gone!
COMMANDER GILMOUR
Listen son, I want you to forget
What you saw here tonight
RADAR OPERATOR
Commander, I have to log it&emdash;
COMMANDER GILMOUR
That's a direct order. You didn't
See a thing!
He hangs up and picks up another phone
COMMANDER GILMOUR
(into phone)
Philips

20 SCREEN 5 - SERGEANT PHILIPS AT HIS DESK
SERGEANT PHILIPS picks up the phone
COMMANDER GILMOUR
Call the President
SCREEN 6 - THE WHITE HOUSE
COMMANDER GILMOUR
Prepare the jet...
22 SCREEN 7 - AN AIR FORCE JET ON A RUNWAY
COMMANDER GILMOUR
Get my overnight bag
23 SCREEN 8 - AN OVERNIGHT BAG
COMMANDER GILMOUR
Philips, do me a favor and feed my
Fish
SCREEN 9 - FISH IN A TANK
A hand enters and sprinkles fish food
COMMANDER GILMOUR
Not too much!
The hand re-enters and scoops up some of the fish food
COMMANDER GILMOUR
I'm going to London, England
EXT. MINISTRY OF DEFENSE - LONDON, ENGLAND
GRAPHIC: LONDON, ENGLAND - MINISTRY OF DEFENSE
MUSIC: "RULE BRITANNIA"
INT. M.O.D. - HALLWAY (OUTSIDE CRYOGENIC STORAGE FACILITY)

Basil Exposition (now aged 30 years), Command Gilmour, and
NICOLAI BORSCHEVSKY, a Russian General, put on extreme-weather
Gear over their uniforms
BASIL EXPOSITION
As you know, gentlemen, Dr. Evil had
Himself frozen in 1967. Soon after
Austin Powers volunteered to have
Himself frozen, in the event Dr
Evil should ever return. We believe
Dr. Evil has begun yet another plot
To take over the world. And that
Gentlemen, is why we're here
COMMAND GILMOUR
Outstanding re-cap, Exposition
Command Gilmour opens a vault door. COLD MIST escapes
INT. M.O.D. - CRYOGENIC STORAGE FACILITY
They pass a row of cryogenic holding berths, each containing
A naked PERSON in suspended animation, a la Demolition Man
They pass GARY COLEMAN, EVEL KNIEVAL (with cape), and VANILLA
ICE, all in suspended animation. They pass a now-empty berth
With a plate that reads "JOHN

TRAVOLTA."
BORSCHEVSKY
Who is this Austin Powers? Is he a
British operative?
BASIL EXPOSITION
No, he worked freelance, an
Internationally renowned swinging
Photographer by day and the ultimate
Gentlemen spy by night
Finally, they come across Austin Powers: He is naked. His
Hands cover up his private parts. The look on his face
Suggests 'Oh my God, my bits and pieces are cold'. His
Glasses are frosted over. He is very hairy
FEMALE ANNOUNCER
(on PA)
Attention, Stage One, laser cutting
Beginning
Lasers begin to cut Austin out of the ice in one huge cube
FEMALE ANNOUNCER
(on PA)
Laser cutting complete. Stage Two
Warm liquid goo phase beginning
A ROBOTIC ARM lifts the cube out of the berth and places it
Into a high-tech melting vat of warm liquid GOO

FEMALE ANNOUNCER
(on PA)
Warm liquid goo phases complete
Stage Three, reanimation beginning
Austin comes to life out of the goo on a draining platform
FEMALE ANNOUNCER
(on PA)
Reanimation complete. Stage Four
Cleansing beginning
INT. EXAMINATION AREA
Technicians lead a half-asleep Austin to a screened area
Where only his feet and head are visible. He's washed off
With a series of hot-water jets
FEMALE ANNOUNCER
(on PA)
Cleansing complete. Stage Five
Evacuation beginning
He's given futuristic inoculations and then led to a screened-
In toilet area. We can hear the sound of PEE ENTERING THE
BOWL
He PEES for a while, then a little longer
And then EVEN LONGER STILL
The stream seems to be subsiding...then begins STRONGER than
Ever

He is still PEEING
Finally, it STOPS
FEMALE ANNOUNCER (PA)
Evacuation com...
He begins PEEING again
A little LONGER
Then in short staccato BURSTS
The it STOPS. Pause
Two DRIPS
FEMALE ANNOUNCER
Evacuation...
(waiting)
Complete! The cryogenic state of
Austin Powers is now completed
Austin lies in a bed tilted up in an extreme angle à la Dr
Frankenstein's lab. NURSE TECHNICIANS administer injections
And monitor electrodes, IV's, and other biological sensors
AUSTIN
(weakly)
Where am I?
BASIL EXPOSITION
You're in the Ministry of Defense
It's 1997. You've been cryogenically
Frozen for thirty years
AUSTIN
(shouting)
WHO ARE THESE PEOPLE?
BASIL EXPOSITION
The shouting is a temporary side-
Effect of the unfreezing process

AUSTIN
Yes, I'm having trouble
Controlling&emdash;
(shouting)
THE VOLUME OF MY VOICE!
BASIL EXPOSITION
You might also experience a slight
Fever, dry mouth, and flatulence at
Moments of extreme relaxation
Austin, this is Commander Gilmour
Strategic Command, and General
Borschevsky, Russian Intelligence
AUSTIN
Russian Intelligence? Are you mad?
BASIL EXPOSITION
A lot's happened since you were
Frozen, Austin. The cold war's over
AUSTIN
Thank God. Those capitalist dogs
Will finally pay for their crimes
Against the people
Hey Comrades?
BASIL EXPOSITION
We won, Austin
AUSTIN
Groovy. Smashing! Good on ya!
(to Gilmour)
Nice tie. Yea capitalism!
COMMANDER GILMOUR
Mr. Powers, the President's very
Concerned. We've got a madman on
The loose in Nevada

BASIL EXPOSITION
It's Dr. Evil
AUSTIN
When do I begin?
BASIL EXPOSITION
Immediately. You'll be working with
Ms. Kensington
AUSTIN
You mean Mrs. Kensington?
BASIL EXPOSITION
No, Austin, Mrs. Kensington has long-
Since retired. Ms. Kensington is
Her daughter
VANESSA KENSINGTON, Mrs. Kensington's daughter, beautiful
Mid-Twenties, English, enters. She is wearing a very
Conservative, business pantsuit. Her hair is up and she
Wears glasses. Austin's breath is taken away
She sets down a huge stack of files
BASIL EXPOSITION
Vanessa's one of our top agents
AUSTIN
(out loud, to himself)
My God, Vanessa's got a smashing
Body. I bet she shags like a minx
How do I tell them that because of
The unfreezing process, I have no
Inner monologue?
(pause)
I hope I didn't say that out loud
Just now

There is an uncomfortable SILENCE
VANESSA
Mr. Powers, my job is to acclimate
You to the Nineties. You know, a
Lot's changed since 1967
AUSTIN
Well, as long as people are still
Having promiscuous sex with many
Anonymous partners without protection
While at the same time experimenting
With mind-expanding
Drugs in a consequence-free environment, I'll be sound as a
Pound
VANESSA
My mother's told me all about you
AUSTIN
If it's a lie, goddamn her. It it's
The truth, goddamn me
(pause)
God, I hope that's witty. How's
Your mum?
VANESSA
My mother's doing quite well, thank
You very much
BASIL EXPOSITION
Yes, well...Agent Kensington will
Get you set up. She's very dedicated
Perhaps, a little too dedicated
(aside to Austin)
She's got a bit of a bug up her ass
Good luck, Austin, the world's
Depending on you

AUSTIN
Thank you, Exposition
BASIL EXPOSITION
Oh, and Austin...
AUSTIN
Yes?
BASIL EXPOSITION
Be careful.
AUSTIN
Thanks
Basil exits
INT. M.O.D. - QUARTERMASTER'S WINDOW
Austin and Vanessa wait at the window
VANESSA
Let's gather your personal effects
Shall we?
A CLERK brings out a locker-basket and reads off a list
CLERK
(reading)
Danger Powers, personal effects
AUSTIN
Actually, my name's Austin Powers
CLERK
It says here, name Danger Powers
AUSTIN
Danger's my middle name
CLERK
OK, Austin Danger Powers: One blue
Crushed-velvet suit. One frilly
Lace cravat. One gold medallion
With peace symbol. One pair of
Italian shoes. One pair of tie-dyed
Socks, purple. One vinyl recording
Album: Tom Jones, Live at Las Vegas
One Swedish-made penis enlarger pump

AUSTIN
(embarrassed)
That's not mine
CLERK
(reading)
One credit card receipt for Swedish-
Made penis enlarger pump, signed
Austin Powers
AUSTIN
I'm telling you, baby, that's not
Mine
CLERK
(reading)
One warranty card for Swedish-made
Penis enlarger pump, filled out by
Austin Powers
AUSTIN
I don't even know what this is
This sort of thing ain't my bag
Baby
CLERK
(reading)
One book: Swedish-Made Penis Enlarger
Pumps and Me: This Sort of Thing Is
My Bag, Baby, by Austin Powers
The clerk shows the book to Austin, who is humiliated
AUSTIN
OK, OK man, don't get heavy, I'll
Sign. Just to get things moving
Baby
VANESSA
Listen, Mr. Powers, I look forward
To working with you, but do me a
Favor and stop calling me baby. You
Can address me as Agent Kensington
We have to leave immediately. We've
Preserved your private jet just as
You left it. It's waiting at Heathrow
Airport

AUSTIN
(excited)
My jumbo jet? Smashing baby
EXT. PLANE TAKING OFF - DAY
We see a plane taking off in silhouette
EXT. PLANE IN FLIGHT - DAY
A multi-colored psychedelic jumbo jet with Austin's logo on the tailpiece
INT. PRIVATE PSYCHEDELIC JET
The inside looks like Hugh Heffner's jet&emdash; rust shag carpet, brown walls, and beads. Austin and Vanessa sit on beanbag chairs. Vanessa works on her lap top
AUSTIN
Pretty groovy Jumbo Jet, eh? How
Does a hot chick like you end up
Working at the Ministry of Defense?
VANESSA
I went to Oxford and excelled in
Several subjects, but I ended up
Specializing in foreign languages
I wanted to travel -- see the world
In my last year I was accepted into
The M.O.D. in the Cultural Studies
Sector. I thought I was off on an
Exciting career, but my job was to
Read everything printed in every
Country. It's very boring. My whole
Day is spent reading wedding
Announcements in Farsi. If I do
Well with this case, I finally get
Promoted to field operative...

AUSTIN
That's fascinating, Vanessa. Listen, why don't we go into the back and shag?
VANESSA
I beg your pardon?
AUSTIN
I've been frozen for thirty years, man, I want to see if my bits and pieces are still working.
VANESSA
Excuse me?
AUSTIN
My wedding tackle.
VANESSA
I'm sorry?
AUSTIN
My meat and two veg
VANESSA
Mr. Powers, please. I know that you
Must be a little confused, but we
Have a very serious situation at
Hand. I would appreciate it if you'd
Concentrate on our mission and give
Your libido a rest
AUSTIN
Have you ever made love to a Chigro?
VANESSA
A Chigro?
AUSTIN
You know, a Chigro&emdash; part
Chinese, part Negro&emdash; Chigro
VANESSA
(offended)
We don't use the term 'Negro' anymore
It's considered offensive

AUSTIN
That's right. You're supposed to
Say 'colored' now, right?
(spotting the flight
Attendants)
Here's the stewardesses! Bring on
The sexy stews!
The STEWARDESSES enter. They're not dressed very sexily
One of them is a man and another wears braces
FLIGHT ATTENDANT
Excuse me, did you say 'stewardess'?
We're called 'flight attendants'
Now, thank you very much
AUSTIN
Oh, I get it, it's like 'I'm not a
Whore, I'm a sex worker', baby
FLIGHT ATTENDANT
My name is Mrs. Wilkenson. There
Are a few things we need to discuss
First of all, we're not wearing these
She holds up some skimpy, lingerie-type flight outfits
FLIGHT ATTENDANT
ALSO, I HAVE SOME QUESTIONS ABOUT THE ITINERARY. IT SAYS
HERE, '4:30 - DINNER, 5:30 -

Everyone Gets Naked and Covered with Baby Oil, 6:00 - Orgy'?
AUSTIN
Seems pretty straightforward, don't
You think...listen darling, I think
You're a fabulous bird. Can I get
Your telephone number?
FLGHT ATTENDANT
(mock sexy)
Sure, it's easy to remember
(writing on his hand)
It's 777-FILM. We have to prepare
The craft for take-off now
AUSTIN
Smashing! When we land I'll give
You a tinkle on the telling bone
The flight attendant gives him a chilly stare and then exits
AUSTIN
Brrrr! She must be frigid. There's
Two things I know about life: one
Americans will never take to soccer
Two, Swedish girls and stewardesses
Love to shag!
They're shag-mad, man! Let me ask you a question, Vanessa
And be honest

VANESSA
Sure
AUSTIN
Do I make you horny?
VANESSA
What?
AUSTIN
Do I make you horny? Randy, you
Know. To you, am I eros manifest?
VANESSA
I hope this is part of the unfreezing
Process
AUSTIN
Listen, Vanessa, I'm a swinger&emdash;
That's what I do, I swing
VANESSA
I understand that, Mr. Powers, but
Let me be perfectly clear with you
Perhaps to the point of being
Insulting. I will never have sex
With you, ever. If you were the
Last man on Earth and I was the last
Woman on Earth, and the future of
The human race depended on our having
Sex simply for procreation, I still
Would not have sex with you
Austin is oblivious
AUSTIN
What's you point, Vanessa?
EXT. PLANE IN FLIGHT - NIGHT

Austin's plane. Time has passed
IINT. PRIVATE JET - NIGHT
Vanessa's lap-top BEEPS
COMPUTER VOICE
You've got mail!
ANGLE ON: the computer screen. It's Basil Exposition
BASIL EXPOSITION
Hello Austin. Hello Vanessa. This
Is Basil Exposition, from British
Intelligence
There's a company in Las Vegas called Virtucon that we think
May be linked to Dr. Evil. Many of the Virtucon executives
Gamble at the hotel/casino where you'll be staying. That's
The first place you should look. Well, I'm off to the chat
Rooms
AUSTIN
Thank you, Exposition
BASIL EXPOSITION
Oh, and Austin...
AUSTIN
Yes?
BASIL EXPOSITION
Be careful
Vanessa closes her lap-top
PILOT
(over loudspeaker)
Ladies and gentlemen, we're beginning
Our final descent into Las Vegas
International Airport. Flight
Attendants will be coming by to
Collect your drinks, and I'll ask
You at this time to please return to
The main cabin and put your

Bean-bags in the upright position
Austin and Vanessa fasten the seatbelts on their bean bags
EXT. AIRPLANE LANDING - NIGHT
We see a plane's lights landing at night
ZOOM CUT TO:
INT. PSYCHEDELIC SCENE BREAK
MUSIC: Psychedelic Wa-wa Pedal Funky Drummer Beat TITLE
GRAPHIC: The Trip Using a sequence of snap-zooms, colored
Projections, and flashing lights, we see Austin dance crazily
à la BOB FOSSE with a GO-GO GIRL in a bikini with the Austin
Powers logo body-painted on her midriff
The sequence lasts five seconds and is very groovy
EXT. LAS VEGAS MONTAGE - NIGHT
Sights and sounds of Las Vegas icons at night: "Welcome to
Las Vegas" sign. Luxor. The giant cowboy whose arm waves
Caesar's Palace. The montage ends on the modern skyline of
Las Vegas

GRAPHIC: 1997, SOMEWHERE IN NEVADA
INT. DR. EVIL'S PRIVATE QUARTERS
DR. EVIL
(face again unseen)
Ladies and Gentlemen, it's been a
Long time, but I'm back. It's all
Gone perfectly to plan except for
One small flaw. Because of a
Technical error, my right arm was
Not frozen. I was therefore by
Definition only partially frozen
ANGLE ON EVIL ASSOCIATE MUSTAFA. He is terrified and sweaty
Eyes darting left and right
MUSTAFA
But my design was perfect! Your
Autonomic functions were shut down
And even though your arm wasn't
Frozen, the aging was retarded
Therefore your right arm is only
Slightly older than the left
DR. EVIL
Can't you see I'm only half a man?
Look at me, I'm a freak!
He holds up his older right arm, which looks normal

MUSTAFA
But Dr. Evil, all you need to do
Is&emdash;
(holding up tennis
Ball)
--work with this tennis ball. Squeeze
It for twenty minutes a day. A few
Months of that and it'll be just as
Strong as the other arm...
DR. EVIL
And look what you've done to Mr
Bigglesworth!
ANGLE ON MR. BIGGLESWORTH
Who is now totally hairless, with a fringe of white hair
Around it's ears, like Dr. Evil himself
MUSTAFA
We could not anticipate feline
Complications due to the reanimation
Process&emdash;
DR. EVIL
(face unseen)
Silence!
ANGLE ON A HAND WITH DR. EVIL'S RING ON IT
Dr. Evil presses a button. Mustafa's chair tips back and he
Falls backwards into a pit
MUSTAFA
(blood-curdling scream)
Ahhhhhhhhh!

DR. EVIL
(face unseen)
Let this be a reminder to you all
That this organization will not
Tolerate failure
MUSTAFA'S SCREAMS ECHO FAINTLY
ANGLE ON: DR. EVIL FOR THE FIRST TIME. HE IS IN HIS EARLY
FIFTIES AND IS BALD, WITH A HIDEOUS
Scar on his cheek
DR. EVIL
Gentlemen, let's get down to business
More muffled SCREAMS
DR. EVIL
We've got a lot of work to do
MUSTAFA (O.S.)
(muffled)
Someone help me! I'm still alive
Only I'm very badly burned
DR. EVIL
(slightly distracted)
Some of you I know, some of you I'm
Meeting for the first time
MUSTAFA (O.S.)
(muffled)
Hello up there! Anyone! Can someone
Call an ambulance? I'm in quite a
Lot of pain
DR. EVIL
(very frustrated)
You've all been gathered here to
Form my Evil Cabinet. Excuse me

He picks up a white phone and MURMURS into it
MUSTAFA (O.S.)
(muffled)
If somebody can open the retrieval
Hatch down here, I could get out
See, I designed this device myself
And...oh, hi! Good, I'm glad you
Found me. Listen, I'm very badly
Burned, so if you could just&emdash;
SFX: Muffled Gunshot
MUSTAFA (O.S.)
(muffled)
Ow! You shot me!
DR. EVIL
Right. Okay. Moving on
MUSTAFA (O.S.)
(muffled)
You shot me right in the arm! Why
Did&emdash; SFX: Muffled Gunshot
Dr. Evil waits. Nothing
DR. EVIL
Let me go around the table and
Introduce everyone. Frau
Farbissina...
ANGLE ON FRAU FARBISSINA
DR. EVIL
...founder of the militant wing of
The Salvation Army. Random Task...
RANDOM TASK is a large Korean man in a butler's uniform

DR. EVIL
...a Korean ex-wrestler, evil handyman
Extraordinaire. Show them what you
Do
He stands up, bows, then takes off his shoe and THROWS it. It knocks the head off a sculpture across the room
DR. EVIL
Thank you, Random Task. Patty
O'Brien...
PATTY O'BRIEN, a small, wiry Irishman with fiery eyes
DR. EVIL
...ex-Irish assassin. His trademark?
Around PATTY O'BRIENS WRIST is a charm bracelet
DR. EVIL
A superstitious man, he leaves a
Tiny keepsake on every victim he
Kills. Scotland Yard would love to
Get their hands on that piece of
Evidence
PATTY O'BRIEN
(heavy Irish accent)
Yes, they're always after me lucky
Charms!
Everyone in the room tries to keep a straight face
PATTY O'BRIEN
What? What? Why does everyone always
Laugh when I say that? They are
After me lucky charms

They cannot contain their LAUGHTER
PATTY O'BRIEN
(angry)
What?
FRAU FARBISSINA
(through suppressed
Laughter)
It's a television commercial with
This little cartoon Leprechaun who
Is a benevolent imp who is very
Concerned that these children will
Steal his lucky charms which are
Foodstuffs fashioned into various
Shapes&emdash; hearts, moons, clovers
What have you...
(pause)
It's a long story
DR. EVIL
Finally, I come to my number two
Man. His name: Number Two
NUMBER TWO, a good-looking 40-year-old man with an eye-patch
DR. EVIL
For thirty years, Number Two has run
Virtucon, the legitimate face of my
Evil empire
He hits a button. The conference table slowly rotates to
Reveal a large, illuminated map of the United States dotted
By various miniature models

NUMBER TWO
Over the last thirty years, Virtucon
Has grown by leaps and bounds. About
Fifteen years ago, we changed from
Volatile chemicals to the
Communication industry. We own cable companies in thirty-eight states...
The thirty-eight states illuminate on the map
NUMBER TWO
...in addition to our cable holdings, we own a steel mill in Cleveland...
A steel mill miniature illuminates in Cleveland
NUMBER TWO
...Shipping in Texas...
A ship off the coast of Texas illuminates
NUMBER TWO
...Oil refineries in Seattle...
An oil refinery illuminates in Seattle
NUMBER TWO
And a factory in Chicago that makes miniature models of factories.
The miniature model factory lights up in Chicago
NUMBER TWO
We also own the Franklin mint, which makes decorative hand-painted theme plates for collectors
(holds up plate)
Some plates, like the Gone With The Wind series, have gone up in value as much as two-hundred and forty percent, but, as with any investment, there is some risk involved.

DR. EVIL
Gentlemen, I have a plan. It's called blackmail. The Royal Family of
Britain are the wealthiest landowners In the world. Either the Royal Family pays us an exorbitant amount of money or we make it look like Prince Charles, the heir to the throne, has had an affair outside of marriage and, therefore, they would have to divorce.
There is an uncomfortable silence
NUMBER TWO
Um, Dr. Evil, Prince Charles did have an affair. He admitted it, and they are now divorced, actually.
DR. EVIL
People have to tell me these things! I've been frozen for thirty years, throw me a bone here.
(pausing)
OK, no problem. Here's my second plan. Back in the Sixties I had a
weather changing machine that was in essence a sophisticated heat beam which we called a "laser." Using this laser, we punch a hole in the protective layer around the Earth, which we scientists call the "Ozone Layer." Slowly but surely, ultraviolet rays would pour in, increasing the risk of skin cancer. That is, unless the world pays us a hefty ransom.

There is another uncomfortable silence
NUMBER TWO
Umm, that also has already happened
DR. EVIL
Right
(pause)
Oh, hell, let's just do what we always
Do. Let's hijack some nuclear weapons
And hold the world hostage
(pause)
Gentlemen, it's come to my attention
That a breakaway Russian Republic
Called Kreplachistan will be
Transferring a nuclear warhead to
The United Nations in a few days
Here's the plan. We get the warhead
And we hold the world ransom...
(dramatic pause)
...FOR ONE MILLION DOLLARS!
There is an uncomfortable pause
NUMBER TWO
Don't you think we should ask for
More than a million dollars? A
Million dollars isn't that much money
These days
DR. EVIL
All right then...
(dramatic pause)
...FIVE MILLION DOLLARS!

There is another uncomfortable pause
NUMBER TWO
Virtucon alone makes over nine billion
Dollars a year
DR. EVIL
(pleasantly surprised)
Oh, really?
(slightly irritated)
One-hundred billion dollars
(pause)
OK, make it happen. Anything else?
FRAU FARBISSINA
Remember when we froze your semen
You said that if it looked like you
Weren't coming back to try and make
You a son so that a part of you would
Live forever?
DR. EVIL
Yes
FRAU FARBISSINA
Well, after a few years, we got sort
Of impatient. Dr. Evil, I want you
To meet your son
DR. EVIL
My son?
FRAU FARBISSINA
Yes
(calling out)
Scott!
SCOTT EVIL walks out. He is fifteen, grungy, and wears a
Kurt Cobain T-shirt
SCOTT EVIL
Hi

DR. EVIL
Hello, Scott. I'm your father, Dr
Evil
(emotional)
I have a son! I have a son!
Everyone, I have a son!
(gesturing to globe)
Someday, Scott, this will all be
Yours
SCOTT EVIL
I haven't seen you my whole life and
Now you show up and want a
Relationship? I hate you!
EXT. JAGUAR - DRIVING - VEGAS - DAY
Vanessa and Austin drive in his perfectly-preserved Jag
AUSTIN
You've preserved my Jag! Smashing!
VANESSA
Yes, we've had it retrofitted with a
Secure cellular phone, an on-board
Computer, and a Global Geosynchronous
Positioning Device. Oh, and finally
This
The glove compartment revolves to reveal a display of various
Dental hygiene products&emdash; floss, toothpaste, toothbrush
Dental mirror, and cleaning tool

AUSTIN
Let me guess. The floss is garotte
Wire, the toothpaste contains plastic
Explosives, and the toothbrush is
The detonation device
VANESSA
No, actually. I don't know how to
Put this really. Well, there have
Been fabulous advances in the field
Of dentistry
AUSTIN
Why? What's wrong with my teeth?
EXT. VEGAS HOTEL - NIGHT
The Union Jack-emblazoned Jaguar pulls up to the front door
INT. VEGAS HOTEL ROOM
Vanessa carries her compact flight attendant bag and Austin
Takes his two bright red oversized leatherette Samsonite suitcases
AUSITN
Which side of the bed do you want?
VANESSA
You're going to sleep on the sofa. I'd like to remind you, Mr. Powers, that the only reason we're sharing a room is to support our cover story that we're a married couple on vacation.

AUSTIN
So, shall we shag now, or shall we
Shag later? How do you like to do
It? Do you like to wash up first?
Top and tails? A whore's bath?
Personally, before I'm on the job, I
Like to give my undercarriage a bit
Of a how's-your-father
AUSTIN
(off her angry reaction)
I'm just joking, Vanessa. Trying to
Get a rise out of you
They both laugh
VANESSA
Let's unpack
HER LUGGAGE: In the inside flap is a types list of contents
All of her items are in separate, labeled plastic bags
AUSTIN
Gor blimey, nerd alert
HIS LUGGAGE: He pulls out a Nehru jacket and a huge Remington
Shaver with huge English plug
HER LUGGAGE: She pulls out a compact clothes steamer/travel
Iron and a Braun blow drier
HIS LUGGAGE: He pulls out a vintage 1967 Playboy and a bottle
Of Jurgens lotion

HER LUGGAGE: She pulls out Wet-Naps, her underthings in a
Plastic baggie marked "Underthings" and her shoes in a baggie
Marked "Shoes."
HIS LUGGAGE: He pulls out a miniature meditation gong and
Hai Karate cologne
HER LUGGAGE: She pulls out a dossier labeled "Dr. Evil -
Top Secret."
HIS LUGGAGE: He pulls out the Swedish penis enlarger pump
Vanessa sees it
AUSTIN
Hey, who put this in here? Someone's
Playing a prank on me! Honestly
This isn't mine
VANESSA
(suffering)
I'm sure
AUSTIN
I think I'll give that stew a ding-a-
Ling
Austin casually dials the phone while looking at his palm
After a beat we hear a loud MALE VOICE coming through the
Handset
MOVIE PHONE VOICE
(through handset)
Hello! And welcome to 777-FILM!

Austin covers the mouthpiece and whispers to Vanessa
AUSTIN
I got her answering machine
INT. CASINO
Austin and Vanessa walk through the casino. Austin gives
PEOPLE two-handed handshakes. They stare like he's a freak
AUSTIN
I love Las Vegas, man. Oh, I forgot
My x-ray glasses
VANESSA
Here, use mine
AUSTIN
I'm going to use a cover name. It's
Important that it be a generic name
So that we don't draw attention to
Ourselves
INT. CASINO
Austin and Vanessa join the high-rollers table. Number Two
Is there, complete with eyepatch. On one side of him is a
Beautiful ITALIAN WOMAN (a la SOPHIA LOREN) in a white dress
With a white kerchief on her head. On the other side of him
Is an extremely large-breasted BIMBO

AUSTIN
Do you mind if I join you?
NUMBER TWO
Not at all
The DEALER deals
DEALER
Seventeen
Zoom in on Number Two's eyepatch
NUMBER TWO'S MONOCULAR POV
GRAPHIC: "X-RAY EYEPATCH". We see everyone at the casino
In their underwear. He looks at the next card in the shoe
It is a 4
NUMBER TWO
Hit me
DEALER
You have seventeen, sir. The book
Says not to, sir
NUMBER TWO
I like to live dangerously
The dealer draws a card from the card shoe
DEALER
Four. Twenty-one
Everyone at the table applauds. The dealer deals to Austin
And Number Two
DEALER
(to Austin)
Eighteen
(to Number Two)
Sixteen
NUMBER TWO'S POV
GRAPHIC: "X-RAY EYEPATCH". He looks at the shoe at the
Shoe and sees that the next card is a ten

NUMBER TWO
I'll stay
DEALER
(to Austin)
Sir?
Smugly, Austin puts on Vanessa's x-ray glasses
AUSTIN'S POV
GRAPHIC: "X-RAY SPECS". Everyone is in their underwear
But it is completely blurry
DEALER
(to Austin)
Sir?
VANESSA
(quietly)
What's wrong?
AUSTIN
(quietly, to Vanessa)
I can't see a bloody thing
VANESSA
Oh, I forgot to tell you, they're
Prescription X-ray glasses. I have
Very bad astigmatism
DEALER
Sir, the table is waiting
AUSTIN
(panicking)
Uh, hit me
The table MURMURS
DEALER
On an eighteen, sir?
AUSTIN
Yes, I also like to live dangerously
The dealer deals him the ten
NUMBER TWO
You're very brave
AUSTIN
Cards are not my bag, man. Allow
Myself to introduce...myself. My
Name is Ritchie Cunningham

Vanessa is mortified
AUSTIN
(indicating Vanessa)
This is my wife, Oprah
NUMBER TWO
My name is Number Two (indicating Italian woman) and
This is my Italian confidential
Secretary. Her name is Alotta... Alotta Fagina
AUSTIN
Come again?
ALOTTA
Alotta Fagina
AUSTIN
I'm just not getting it. It sounds like your
Name was a lot of...never mind
What exactly do you do, Mr. Number Two?
NUMBER TWO
That's my business
AUSTIN
If you'll excuse me, I have to go to the little boys' room. You keep your eye on the Italian bird. We'll rendezvous back at the hotel suite..
Austin and Vanessa leave
INT. CASINO
VANESSA
Why did you leave so soon?
AUSTIN
That cat Number Two has an X-ray
Eyepatch. I get bad vibes from him
Man. Listen, we should go back to
The room, but first I have to go to
The naughty chair and see a man about
A dog

He heads to the rest room
INT. HIGH ROLLERS TABLE - CASINO
Number Two has been watching them. He presses a BUTTON
INT. BATHROOM - CASINO
Austin enters to see a gregarious TEXAN in a huge cowboy
Hat. Austin enters a stall. The Texan enters the adjoining
Stall
TEXAN
Good luck, buddy. You don't buy
Food, you rent it
AUSTIN
Too right, youth
INT. BATHROOM STALL
Austin sits down. Behind him, a panel SLIDES OPEN, revealing
Patty O'Brien. His charm bracelet JINGLES. Austin looks
Back. Patty's bracelet is now garotte wire. He wraps it
Around Austin's throat. Austin gets his thumbs between the
Wire and certain death
AUSTIN
(grunting)
Uh, uh!
INT. TEXAN'S STALL
The Texan can only see Austin's feet, which are moving about
Frantically. He can hear the

GRUNTING
TEXAN
Hey pardner, just relax, don't force
It! Use some creative visualization
INT. AUSTIN'S STALL
Austin GRUNTS and snaps his head back into Patty O'Brien's
Crotch. Patty O'Brien GROANS in agony
PATTY O'BRIEN
(groaning)
Ughhhhh...
Austin breaks free of the charm bracelet/garotte, grabs Patty
O'Brien's head, and pulls it between his legs so that it
Hovers above the toilet bowl
AUSTIN
Who does Number Two work for? Who does Number Two work for?
INT. TEXAN'S STALL
TEXAN
That's right! Show that turd who's
Boss!
INT. AUSTIN'S STALL
AUSTIN
Who does Number Two work for?
PATTY O'BRIEN
(quietly, straining)
Go to hell
Austin drops Patty's head into the toilet and FLUSHES. We
Hear MUFFLED GURGLING SOUNDS from Patty O'Brien

INT. TEXAN'S STALL
The Texan hears all of this, and is now concerned
INT. AUSTIN'S STALL
Austin reaches into Patty O'Brien's wallet. We see his Dr
Evil ID card and Alotta's Virtucon business card with her
Address
INT. BATHROOM
Austin is leaving his stall. The Texan can see Patty
O'Brien's dead body head-first in the toilet
TEXAN
Jesus Christ, what did you eat?
ANGLE ON THE FLOOR OF AUSTIN'S STALL
Patty O'Brien's lifeless hand hits the floor. The charms
Come tumbling out: a heart, a moon, a star, and a clover. A second later, a blue diamond falls out
INT. PSYCHEDELIC SCENE BREAK
MUSIC: Psychedelic Wa-wa Pedal Funky Drummer Beat TITLE
GRAPHIC: Love Power Austin and the go-go girl dance crazily

EXT. VEGAS HOTEL - MORNING
INT. HOTEL SUITE - DAY
Vanessa is on the phone on the bed sifting through photos
And files on Dr. Evil, Virtucon, etc
In the background, through an open door, we see that Austin
Is asleep on the couch
VANESSA
(into phone)
Hello Mum?
INT. MRS. KENSINGTON'S HOUSE - LONDON
An older Mrs. Kensington sits in her suburban English front room
MRS. KENSINGTON
(on phone)
Oh, hello Vanessa. How was the
Flight?
VANESSA (V.O.)
Great
MRS. KENSINGTON
How's Austin?
VANESSA (V.O.)
He's asleep
MRS. KENSINGTON
You didn't...
INT. HOTEL SUITE
VANESSA
Oh, God no, I made him sleep on the
Couch
In the background, we see Austin get off the couch. He is very naked and very hairy. A strategically placed vase of flowers blocks his naughty bits from view

MRS. KENSINGTON (V.O.)
I'm proud of you
VANESSA
Why?
MRS. KENSINGTON (V.O.)
Because you managed to resist Austin
Power's charms
Austin moves towards the bathroom away from the flowers. Right in the nick of time, Vanessa holds up a photo of Number Two and looks at it, blocking his naughty parts
VANESSA
Well, God knows he tried, but I've
Been rather firm with him, Mummy
You didn't tell me he was so obsessed
With sex. It's bizarre
MRS. KENSINGTON (V.O.)
You can't judge him by modern
Standards. He's very much a product
Of his times. In my day he could
Have any woman he wanted
VANESSA
What about his teeth?
SPLIT SCREEN - HOTEL ROOM/MRS. KENSINGTON'S HOUSE
MRS. KENSINGTON
You have to understand, in Britain
In the Sixties you could be a sex
Symbol and still have bad teeth. It
Didn't matter

VANESSA
I just don't see it
MRS. KENSINGTON
Just wait. Once Austin gets you in
His charms, it's impossible to get
Out
VANESSA
Did you ever...
MRS. KENSINGTON
Of course not. I was married to
Your father
VANESSA
Did you ever want to?
MRS. KENSINGTON
Austin is very charming, very
Debonair. He's handsome, witty, has
A knowledge of fine wines
Sophisticated, a world-renowned
Photographer. Women want hin, men
Want to be him. He's a lover of
Love&emdash; every bit an
International Man of Mystery
We hear the TOILET FLUSH. Mrs. Kensington WIPES off the screen
Austin re-enters from left to right, still NAKED. Vanessa holds up Austin's Fab Magazine shoot from the Sixties, and in perfect timing blocks his crotch from the camera

VANESSA
You didn't answer my question, Mum
MRS. KENSINGTON (V.O.)
I know. Let me just say this: Austin
Was the most loyal and caring friend
I ever had
I will always love him
AUSTIN (V.O.)
Good morning, luv, who are you on
The phone with?
VANESSA
(to her mother)
Do you want to talk to him?
MRS. KENSINGTON (V.O.)
No, it's been too long. Best to
Leave things alone
VANESSA
(to Austin)
I'm on with a friend!
(to her mother)
Look, I'd better go. I love you
MRS. KENSINGTON (V.O.)
I love you, Vanessa
Vanessa hangs up. Austin enters wearing an "Austin Powers"
Robe
AUSTIN
Good morning, Vanessa! I hope you
Have on clean underwear
VANESSA
Why?
AUSTIN
We've got a doctor's appointment&emdash; an evil doctor's appointment

EXT. VIRTUCON MAIN ENTRANCE - DRIVEWAY - DAY
THROUGH BINOCULAR POV CUT-OUTS
We see a black limousine pull up in front. Random Task and
Another BODYGUARD exit the limo and secure the area
EXT. LAS VEGAS - BUSHES
We see that the binoculars belong to Vanessa. She and Austin are on a stakeout. Austin's Jag is in the background.
VANESSA
A limousine has just pulled up
AUSTIN
Let me see
Austin pulls into frame an extremely long telephoto lens attached to his vintage camera
EXT. VIRTUCON MAIN ENTRANCE
TELEPHOTO LENS POV
Two more BODYGUARDS leave the building and approach the limo
Number Two exits the building
Holding Mr. Bigglesworth, the hairless cat. He's not happy
About this, and has a scratch on his cheek

FREEZE FRAME. SFX: Camera motor drive
EXT. BUSHES
AUSTIN
Hello, hello. That's Dr. Evil's
Cat
VANESSA
How do you know?
AUSTIN
I never forget a pu***...cat
EXT. FRONT ENTRANCE
TELEPHOTO LENS POV
Number Two hands the hairless cat through limo's window
FREEZE FRAME. SFX: Camera motor drive
The limousine speeds off
EXT. BUSHES
VANESSA
Let's go get him!
AUSTIN
He's too well-protected right now
VANESSA
We can't just sit here, Austin
AUSTIN
Let me tell you a story. There's
These two bulls on top of a hill
Checking out some foxy cows in the
Meadow below. The young bull says
'hey, why don't we run down the hill
And shag us a cow?', and the wise
Old bull replies, 'no, why don't we
Walk down the hill and shag all the
Cows?'

VANESSA
I don't get it
AUSTIN
Well, you know...cows, and shagging
VANESSA
Unfortunately, while you told that
Stupid story, Dr. Evil has escaped
AUSTIN
No worries, luv. We'll just give
Basil a tinkle on the telling bone...
He notices the way the desert light catches her beauty
AUSTIN
My God, Vanessa, you are so incredibly
Beautiful. Stay right where you
Are
Austin changes lenses and begins SNAPPING PICTURES
VANESSA
I hate having my picture taken
AUSTIN
You're crazy. The camera loves you
Vanessa
Vanessa does a few coy poses
AUSTIN
Go, Vanessa, go!
Vanessa lets go a little bit more
WHITE CYC
Austin and Vanessa are in the midst of a full professional
Photo shoot, and she's loving it

Austin begins SNAPPING pictures, all the while changing her
Look, touching her hair
AUSTIN
Alright, luv! Love it! Turn...pout
For me Vanessa. Smashing! Crazy
Give me some shoulder
(pause)
Yes! Yes! Yes!
He motions to her two top buttons of her blouse. She nods
No. Austin nods yes. She sheepishly undoes them. A MONTAGE
Of her in various gowns, one more exotic and exciting than
The other
AUSTIN
Show me love. Yes!
(beat)
Smashing!
Vanessa is flanked by two buff MALE MODELS à la Madonna
AUSTIN
Great! Great! Smashing!
(beat)
Yes! Yes! Yes!
(beat)
No! No!
Love it. Give me love. Give me mouth. Give me lips
(BEAT)
Going in very close now
He goes in closer
AUSTIN
Give me eyes
(closer)
Give me cornea
(closer)
Give me aqueous humour
(closer)
Coming in closer. Give me retina
Vanessa
(closer)
Even closer. Give me optic nerve
(beat)
Love it!
(beat)
And...done

He throws the camera down
AUSTIN
I'm spent. What say you we go out
On the town?
EXT. LAS VEGAS STREET - BUS - NIGHT
Austin and Vanessa are on the top deck of an open air double-
Decker English bus having a full-course formal dinner
They're drinking champagne
Austin is cutting sausages into ever-smaller pieces, holding
His cutlery very English. He has cut one piece to the point
To which it's a speck. H puts it on the fork and offers it
To her
AUSTIN
Fancy a nibble?
VANESSA
I couldn't have another bite
They laugh. They drink. It's TOM JONES, serenading them
They begin to dance
Austin gives her roses. Austin is wooing her
EXT. LAS VEGAS STREET - NIGHT
They walk along the brightly-lit streets, laughing, enjoying
Each other's company. Austin gives Vanessa a pet rock. She
Graciously accepts

64 LAS VEGAS - SUPERIMPOSITION MONTAGE
Austin and Vanessa stroll against a changing series of
Backgrounds&emdash; neon signs, Vegas icons, dice showgirls
Etc
INT. HOTEL ROOM
Sounds of MOANS and GROANS. We see Austin's backside sticking
Out above a piece of furniture, then Vanessa's high-heeled
Leg straining upwards
VANESSA (O.S.)
Watch out, you're on my hair!
AUSTIN (O.S.)
Sorry. Move your hand to the left
There you go. Gorgeous
VANESSA (O.S.)
Go! Just go!
We hear a SPINNING SOUND
AUSTIN (O.S.)
Left hand, blue
We now see that Austin and Vanessa are playing TWISTER. She
Reaches for left hand blue and they fall over, laughing
AUSTIN
Wait a tick, I forgot something in
The lobby
(moving behind the
Couch)
I know what. I'll take the stairs

Behind the couch, Austin mimes going down stairs
AUSTIN
Maybe I'll take the escalator
Austin mimes the smooth descent of an escalator
AUSTIN
Why take the escalator when I could
Take a canoe?
Austin mimes rowing a canoe behind the couch
VANESSA
I haven't had fun like that since
College
AUSTIN
I'm sorry
VANESSA
Why?
AUSTIN
I'm sorry that bug up your ass had
To die
She laughs too much, making a SNORTING sound
VANESSA
Always wanting to have fun, that's
You in a nutshell
AUSTIN
No, this is me in a nutshell
Austin mimes being trapped in a nutshell
AUSTIN
Help! I'm in a nutshell! What kind
Of nut has such a big nutshell? How
Did I get into this bloody great big
Nutshell?

Vanessa laughs again, SNORTING, tipsy
AUSTIN
You're smashed, Vanessa
VANESSA
I am not
AUSTIN
Oh, yes you are
VANESSA
I'm not. I'm the sensible one. I'm
Always the designated driver
They are both on the bed. She looks at him. He looks at
Her. There is an awkward silence
She's about to kiss him, then he pulls away
AUSTIN
I can't. You're drunk
VANESSA
It's not that I'm drunk, I'm just
Beginning to see what my Mum was
Talking about
(pause)
What was my mother like back in the
Sixties? I'm dying to know
AUSTIN
(sentimental)
She was very groovy. She was so in
Love with your Dad. If there was
One
Other cat in this world that could have loved your Mum and
Treated her as well as you Dad did, it was me. But
Unfortunately for yours truly, that train has sailed

Austin hears SNORING. He looks over and sees Vanessa asleep
A distinctive PHONE RINGS and a
RED LIGHT FLASHES
Austin opens one of his funky suitcases to reveal a PICTURE
PHONE. It's Basil Exposition, on an airplane
BASIL EXPOSITION
(on the picture phone)
Hello, Austin, this is Basil
Exposition from British Intelligence
Thank you for confirming the link
Between Dr. Evil and Virtucon. Find
Out what part Virtucon plays in
Something called Project Vulcan
I'll need you and Vanessa to get on
That immediately
AUSTIN
Right away, Exposition
BASIL EXPOSITION
Where is Vanessa, by the way?
Austin looks over at Vanessa's sleeping figure
AUSTIN
She's working on another lead right
Now
BASIL EXPOSITION
Then you'll have to go it alone
Good luck

AUSTIN
Thank you, Basil
BASIL EXPOSITION
Oh, and Austin...
AUSTIN
(knowing)
Yes?
BASIL EXPOSITION
Let me remind you that because of the unfreezing process you might experience flatulence at moments of extreme relaxation.
AUSTIN
Oh, yes. Thank you.
BASIL EXPOSITION
There's one more thing, Austin
AUSTIN
Yes?
BASIL EXPOSITION
Be careful.
AUSTIN
Thank you.
Austin looks at Alotta's Virtucon business card
INT. ALOTTA'S JAPANESE STYLE PENTHOUSE
Austin is in a dark penthouse suite. Austin passes a piece
Of art that is very suggestive of the female anatomy
AUSTIN
Paging Dr. Freud
He goes over to a credenza where there is a briefcase. He
Opens it
FULL SCREEN - DOCUMENT

Austin's photographing the dossier with his miniature
Camera/pendant
AUSTIN
(photographing)
Give it to me baby. Super
We now see that the document outlines all of Virtucon's
Holdings in a flow-chart fashion
AUSTIN
Pout for me, luv. Smashing. Yes!
Yes! Yes! No! No!
One side of the chart is labeled "Secret Projects." Under
That we see "Human Organ Trafficking", "Carrot Top Movie"
And in CLOSE-UP&emdash; "Project Vulcan."
We see schematics for some sort of subterranean probe and a
Cross-section of the earth labeled "Crust, Mantel, Core."
AUSTIN
And I'm spent
The front door opens. It's Alotta
AUSTIN
You seem surprised to see me
ALOTTA
I thought you'd quit while you were
Ahead
AUSTIN
What, and watch all my earnings go...
(smug)
Down the toilet?

ALOTTA
What do you want, Mr...Cunningham
Was it?
AUSTIN
Call me Ritchie, Miss Fagina. May I
Call you Alotta...
(pause)
Please?
ALOTTA
You may
AUSTIN
Your boss, Number Two, I understand
That cat's involved in big underground
Drills
ALOTTA
Virtucon's main interest is in cable
Television, but they do have a
Subterranean construction division
Yes. How did you know?
AUSTIN
(smug)
I didn't, baby, you just told me
ALOTTA
It's for the mining industry, Mr
Cunningham. We can talk about
Business later. But first, let me
Slip into something more comfortable
AUSTIN
Behave!
MUSIC: "The Look of Love" by SÉRGIO MENDEZ AND BRAZIL '66
Alotta goes behind a Japanese screen. In silhouette she
Takes off her clothes and puts on a robe. She opens a pair
Of sliding doors to reveal an elaborate Japanese bath grotto

INT. JAPANESE BATH
She slips off her robe, revealing a DR. EVIL LOGO TATTOO on
Her shoulder, and enters the water
ALOTTA
Come in
AUSTIN
I'd rather talk about Number Two
ALOTTA
Don't you like girls, Mr. Cunningham?
Come in, and I'll show you everything
You need to know
Austin takes off his clothes. He is extremely hairy. He
Goes in. Alotta produces a soapy sponge and swims over
ALOTTA
May I wash you?
AUSTIN
Groovy
She washes his back. Behind his back, she pulls out his
Wallet and looks through it. ANGLE ON HIS IDENTIFICATION
It reads "AUSTIN POWERS, INTERNATIONAL MAN OF MYSTERY."
ANGLE ON HIS VARIOUS CARDS: CHARGEX, PLAYBOY CLUB, ETC
SHE PUTS HIS WALLET BACK IN HIS
Trousers
ALOTTA
In Japan, men come first and women
Come second

AUSTIN
Or sometimes not at all
ALOTTA
Care for some saki?
AUSTIN
Sak-i it to me!
Alotta pours them saki. Alotta unscrews the diamond in her
Ring. A sign on the inside of her ring reads "Relaxation
Pills." She drops two PILLS into his drink
Austin takes a sip. His eyes glaze over. He's instantly
Woozy
ALOTTA
How do you feel, Mr. Cunningham?
AUSTIN
Mmmm...I feel extreme relaxation
A big BUBBLE comes to the surface, right in front of Austin
AUSTIN
(reciting poem)
'Pardon me for being rude, It was
Not me, it was my food
It just popped up to say hello, and now it's gone back down
Below.'
ALOTTA
That's very clever. Do you know any
Other poems?
AUSTIN
(reciting in a lofty
Tone)
'Milk, milk, lemonade

Round the corner fudge is made
Stick your finger in the hole, And out comes a tootsie roll!'
ALOTTA
(genuinely moved)
Thank you, that's beautiful. To
Your health
AUSTIN
To my health
ALOTTA
Kiss me
They go to kiss. She notices HIS TERRIBLE TEETH, CLOSE-UP
ALOTTA
Do you mind if I ask you a personal
Question?
AUSTIN
Is it about my teeth?
ALOTTA
Yes
AUSTIN
Damn. What exactly do you do at
Virtucon?
ALOTTA
I'll tell you all in due time, after
We make love. But first, tell me
Another poem
AUSTIN
I think it was Wordsworth who penned
This little gem: 'Press the button
Pull the chain, out comes a chocolate
Choo-choo train.'
ALOTTA
Oh, you're very clever. Let's make
Love, you silly, hairy little man

She glides over to him
INT. PSYCHEDELIC SCENE BREAK
MUSIC: Psychedelic Wa-wa Pedal Funky Drummer Beat GRAPHIC:
The Party Austin and the go-go girl dance crazily
INT. DR. EVIL'S PRIVATE QUARTERS - DAY
Dr. Evil, Number Two, and Frau Farbissina sit at the large
Conference table
DR. EVIL
Austin Powers is getting too close
He must be neutralized. Any
Suggestions?
FRAU FARBISSINA
Ya wohl&emdash; I mean, yes wohl
Herr Doctor. I have created the
Ultimate weapon to defeat Austin
Powers. Bring on the Fembots!
MUSIC: Sexy Matt Helm-type theme THREE FEMBOTS enter. They
Are beautiful buxom multiracial girl/robots in Sixties clothes
And white go-go boots
DR. EVIL
Breathtaking, Frau. These automated
Strumpets are the perfect bait for
The degenerate Powers

FRAU FARBISSINA
These are the latest word in android
Replicant technology. Lethal
Efficient, brutal. And no man can
Resist their charms. Send in the
Soldiers!
SEVEN SOLDIERS come in. They are immediately attracted to
The FEMBOTS. They throw down their guns and come to the
Girls zombie-like
When they get within range, guns POP out of the Fembots'
Bras and begin FIRING, killing the guards
DR. EVIL
Quite impressive
FRAU FARBISSINA
Thank you, Herr Doctor
DR. EVIL
I like to see girls of that caliber
By caliber, I mean both the barrel
Size of their guns and the high
Quality of their character...Forget
It
SFX: 60'S ELECTRONIC BUZZER
NUMBER TWO
That would be the video feed from
Kreplachistan

Dr. Evil and Number Two watch a large screen. We see stock
Footage of a Russian warhead. We cut into a close-up of
RUSSIAN SOLDIERS being taken prisoner by VIRTUCON SOLDIERS
In the front of a
Military vehicle
DR. EVIL
Gentlemen, Phase One is complete
The warhead is ours. Let Phase Two
Begin! Patch us through to the United
Nations security secret meeting room
INT. UN SECRET MEETING ROOM
REPRESENTATIVES of various countries in their traditional
Garb around a large UN-style meeting table. The BRITISH are
Dressed in bowler hats. The AMERICANS all look like JFK
The CANADIANS are dressed as Mounties. The ARABS are dressed
In ceremonial robes, etc
DR. EVIL
Gentlemen, my name is Dr. Evil
They all look up at the SCREEN

DR. EVIL
In a little while, you'll find out
That the Kreplachistani warhead has
Gone missing. Well, it's in safe
Hands. If you want it back, you'll
Have to pay me...ONE MILLION DOLLARS!
The UN representatives are confused. Number Two COUGHS
DR. EVIL
(frustrated)
Sorry. ONE-HUNDRED BILLION DOLLARS!
The representatives ARGUE amongst themselves
UNITED NATIONS SECRETATY
Gentlemen, silence!
(to Dr. Evil)
NOW, MR. EVIL&EMDASH;
DR. EVIL
(angry)
Doctor Evil! I didn't spend six
Years in evil medical school to be
Called 'mister'
UNITED NATIONS SECRETARY
Excuse me. Dr. Evil, it is the policy
Of the United Nations not to negotiate
With terrorists
DR. EVIL
Fine, have it your way. Gentlemen
You have five days to come up with
One

Hundred billion dollars. If you fail to do so, we'll set
Off the warhead and destroy the world
UNITED NATIONS SECRETARY
You can't destroy the world with a
Single warhead
DR. EVIL
Really? So long.
The screen goes BLANK
DR. EVIL
(to evil associates)
Gentlemen, in exactly five days from now, we will be one-hundred billion dollars richer (laughing) Ha-ha-ha-ha
(slightly louder) Ha-ha-ha-ha
EVIL ASSOCIATES
(laughing with him)
Ha-ha-ha-ha
DR. EVIL & ASSOCIATES
(LOUDER AND MORE STACCATO)
HA-HA-HA-HA-HA!
(louder again, and even more evil and maniacal)
HA-HA-HA-HA-HA-HA-HA-HA!
(PAUSE)
Ohhhh, ahhhhhh...
(pause, quieter)
Ohhh, hmmmm
(pause, very quiet)
Hmn
There is an uncomfortable pause, because clearly we should
Have FADED TO BLACK. The evil associates look around the
Room, not knowing what to do with themselves
DR. EVIL
Okay...Well...I think I'm going to watch some TV
EVIL ASSOCIATES
Okay. Sure
They exit the frame awkwardly
INT. BRITISH MAKESHIFT HQ
Austin and Vanessa enter past two BRITISH MILITARY POLICEMAN
There is a communications center, a makeshift armory, bunks
Etc
We see Basil, dressed as the Vegas-era Elvis
AUSTIN
Hello, Exposition
BASIL EXPOSITION
Austin, Vanessa, let me bring you up
To speed. Dr. Evil has high-jacked
A nuclear warhead from Kreplachistan
And is holding the world ransom for
One-hundred billion dollars. If the
World doesn't pay up in four days
He's threatening to destroy the world
AUSTIN
Thank you, Exposition. Only two
Things, scare me, and one is nuclear
War
BASIL EXPOSITION
What's the other?
AUSTIN
Excuse me?
BASIL EXPOSITION
What's the other thing you're scared
Of?
AUSTIN
Carnies
BASIL EXPOSITION
What?
AUSTIN
Circus folk
(shudders)
Nomads, you know. They smell like
Cabbage
BASIL EXPOSITION
(suffering him)
Indeed...If we could get back to the
Business at hand. It's one thing to
Have a warhead, it's quite another
Thing to have the missiles to lau